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This piece shows similar techniques to the previous one, with a heavy emphasis on the grisly cloak the figure wears.
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This is a frontal picture, showing the model in earnest. It also uses many colours, despite the red and bronze
themes. The terror-inspiring cape it wears is meant to emulate a wet flesh.
A view of the models helmet. While the helmet itself is black, you can see that it was meant to be seen as a metal
that was painted black, with the paint chipping near the front.
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This claw was painted to look much different than the previous one. This one has been painted with an off-white/dark-green
highlight that makes it stand out. Minimal highlights have been placed, so that only the extreme edges are picked out
with definition.
This arm shows many of the bronze highlights, and gives that gritty feel to the model, a sort of dirty metal. This
effect is quite effective, as it adds a few dimensions. Also, the metallic studs have each been picked out with a bright
silver, which draws the eyes to the intense details.
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Another look at both the metallic bronzes, as well as the red armour. This gives an accurate depiction of exactly
how much detail there is in each of these models. Several layers of paint give a much more three dimensional picture
than a single layercan portray.
This is a close-up of the cape worn by the Lord. The cape is meant to be made of human flesh, a horrific
concept that is brought to life by the highlighting and the gloss finish.
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